『誠忠義臣名々鏡　富守祐右衛門正固』 画面に大きく映る主人公の鋭くにらむ表情、空を舞う提灯がまるで事件が起こった場面をそのまま切り取ったような緊迫感のある画面に国芳の描写力を感じられます。 題が書かれている枠が刀の鞘の形に描かれているところには遊び心とこだわりが見て取れます 状態：右上に絵にかからない欠けあり、題名下に透け 全体的にはかなり状態良く、ボストン美術館所蔵のものよりも発色含め良いものになっています ボストン美術館に同図の所蔵あり `` Shinchu Tadashi Minami Mirror Tomimori Yuemon Masago '' You can feel Kuniyoshi's descriptive power on the screen with a sense of urgency as if the protagonist's sharply reflected expression on the screen and the lantern flying in the sky were as if the scene where the incident occurred was cut out as it was. You can see playfulness and commitment where the frame where the title is written is drawn in the shape of a sword sheath Condition: There is a chip that does not cover the picture in the upper right, and it is transparent under the title Overall, it is in very good condition, and it is better than the one in the Museum of Fine Arts of Boston, including its coloring. Collection of the same figure at the Boston Museum of Fine Arts

この図の主題は平安時代、中央に写る黒い着物をまとった主人公藤原景清が壇ノ浦の戦いで源氏に敗れたものの、抵抗を続け奈良の東大寺にある転害門（てがいもん）を訪れた源頼朝を討とうとする場面です 景清は平安時代末期から鎌倉時代初期にかけて実在した平家の武将 舞台となった転害門は当時の姿のまま奈良公園の近くに残っていて、今でも見ることができます 全体的に状態は良く、3枚に続いた画面もずれていません 左、中央の図に折れ跡あり、右の図中央部に墨の跡あり 東京都立中央図書館特別文庫室に同図の所蔵あり The subject of this figure is the source of the hero who visited the terrible gate at Todaiji Temple in Nara, despite the fact that in the Heian period, the protagonist, Keisuke Fujiwara, wearing a black kimono in the center, was defeated by Genji in the battle of Dannoura, but continued to resist. This is a scene where Yoritomo is about to be defeated Kagekiyo was a Heike warlord who existed from the late Heian period to the early Kamakura period. The stage gate that was set remains near Nara Park as it was at the time, and you can still see it Overall, the condition is good, and the screens that follow three have not shifted There is a broken mark in the center figure on the left, and there is a mark of ink in the center of the right figure The Tokyo Metropolitan Central Library special library room has the collection shown in the figure.

『片岡市蔵　　仙女香』　 こちらの商品は江戸時代に引札と言って宣伝のために使われていたチラシのような役割をするものです しかしその完成度からコレクションする人も多く存在し、国芳ならではの画面の動きと役者の気迫などが感じられます 片岡市蔵は現在もなの続く長続く歌舞伎役者で、200年ほど前の江戸から、現在のつながりをひしひしと受け継ぐ絵になります 題のところに折れ、補修跡あり、紙は茶色がかっている 全体的には美品 浮世絵というのは江戸時代当時から庶民に向けて、安く、広く楽しませる世界初の多色刷りの絵画で、蕎麦を買うほどの値段で買い求め、障子などに貼りつけて鑑賞したそうです。そういった背景もあり、手にとって、光に当てて透かして見るとガラス越しに見るのとはまったく違う表情が発見できると思います `` Kataoka Ichizo Senjoka '' This product plays a role similar to a flyer used for advertising in the Edo period called a tag However, there are many people who collect from its perfection, and you can feel the movement of the screen and the enthusiasm of the actors unique to Kuniyoshi Kataoka Ichizo is a long-lasting Kabuki actor who is still a picture that inherits the current connection from Edo about 200 years ago. Folded at the title, repair marks, paper is brownish Overall a beauty product Ukiyo-e is the world's first multicolored painting to be enjoyed cheaply and widely for the general public since the Edo period. It was bought at a price that would buy soba, and it was said that it was pasted on a shoji. With such a background, I think that if you look through the light and see through the glass, you will find a completely different look than if you look through the glass

忠臣蔵としても有名な赤穂浪士の吉良討ち入りがありますが、この本は赤穂浪士のプロフィールが書かれた本です 裏表紙が破れて無くなっていますが、見開きで作られた横長の画面も見られて、江戸時代の本の中でも珍しいものです 江戸時代の本ですから和紙で作られていて1ページ1ページが大変薄く繊細でありますから、破れたページが多々あります、人物に塗られた赤色は書き足されたものなのか、元々の彩色なのかはわかりかねますが、背景を想像するのも面白いものです There is also a famous Akira Nanji as well as Chushingura, but this book is a book with a profile of Ako Nanji The back cover is broken and lost, but there are also landscape screens made with spreads, which is rare among Edo period books. Since it is a book from the Edo period, it is made of Japanese paper and each page is very thin and delicate, so there are many torn pages, is the red painted on the person added or original coloring? I don't know, but it's also interesting to imagine the background

江戸時代の本で和紙にすられ、本として紐でくくってあります。 表紙は多色刷りで二冊合わせて一つの画面になる、これだけでも楽しめる本です 当時は庶民の中で八犬伝は大流行し、国芳が全ページに挿絵をかき、ひらがなで誰にでも楽しめるようにした作品で、見開きで書かれた絵は流石の国芳、圧巻のもので躍動感と気迫が感じられ、度々出てくる猫を始め動物の表現も見どころの一つです この二冊は破れも皆無でかなり状態の良いものになっています It was wrapped in Japanese paper in a book from the Edo period and tied up as a book. The cover is a book that can be enjoyed only by combining two books into one screen with multicolor printing At the time, Hakkenden was very popular among the common people, and Kuniyoshi drew illustrations on all pages so that anyone could enjoy it in Hiragana. The expression of animals, including cats that often appear, is also one of the highlights These two books are in good condition with no tears

江戸の庶民に親しまれた、かな読み八犬伝 破れはあるものの国芳の破裂するような表現、煙の迫力、存分に楽しめる本になっています 4枚目の写真の右上あたりでもわかるように虫食いが見られます 各22ページずつありまして、いつまでも楽しめる深みがあります Kana Yomi Hakkenden, familiar to the Edo people Torn is a book that can be enjoyed to the fullest, such as the explosive expression of Kuniyoshi, the power of smoke, You can see worms as you can see in the upper right corner of the fourth photo There are 22 pages each, and there is a depth that you can enjoy forever